Fascinating theater: The snowstorm inspires in Düsseldorf!
Experience the impressive staging of "Der Schnesturm" to Sorokin in the Düsseldorf Schauspielhaus - a fascinating theater project with Kirill Serebrennikov.

Fascinating theater: The snowstorm inspires in Düsseldorf!
The staging "The Snowstorm" according to Vladimir Sorokin was celebrated at the Salzburg Festival with a lot of applause and standing ovation. This staging, directed by Kirill Serebrennikov, is not only an acting masterpiece, but also an impressive visual experience that takes the audience into a dystopian world. The direction and stage design of Serebrennikov and Vlad Ogay create a narrative structure that consists of different levels and paints living images that remain in the memory for a long time. Neue Düsseldorf Online Zeitung reports in three areas It is divided: A narrow walk in the front, which looks like a catwalk, a podium for the coachman and the doctor in the middle and an impressive backdrop with white -clad actors.
The creative use of media and live music is particularly impressive. The live musician Malika Maminova contributes to dramaturgy with her impressive sounds, while the actors shine with singing, dance and poems by Paul Celan and Rainer Maria Rilke. In particular, the combination of music and theater shows how Serebrennikov wants to encourage viewers to think about their own fears. The German stage emphasizes that the staging addresses the existential fears of the audience and transforms them into a poetic and visual language.
The plot and characters
The story follows Dr. Garin, played by August Diehl, and the Perkhusha bread slicer, represented by Filipp Avdeev, on her adventurous journey into a village threatened by snow. The title "snowstorm" becomes a metaphorical and real obstacle that the two protagonists have to overcome while they encounter ever surreal challenges. This trip is not only shaped by a physical snowstorm, but also by the internal conflicts and fears of the characters. Both taz) and the other reporting focus on how the figures are guided by a variety of dream-image stations that transform their journey into a fascinating adventure.
The actors not only impress with their acting skills, but also with the use of futuristic elements on stage, such as transparent helmets with cameras. This increases the surreal effect and lets the audience captivate. The staging remains close to the original text and at the same time uses plastic episodes of the narrative, which results in an impressive and coherent overall picture.
A look at the festival
The Salzburg Festival, which was launched by Max Reinhardt over 105 years ago, have changed significantly over the years. While they are often perceived as a classical festival today, productions such as "the snowstorm" show the potential and the relevance of theater in the modern world. Director Markus Hinterhäuser plans to lead the acting program himself from 2026, which could possibly bring new impulses for the play division of the festival. taz reports that despite a weakening acting division, the production of Sorokin has the potential to inspire the spectators again for the spoken theater.
The premiere of "The Schnesturm" fell on a summit of Russian President Putin, which gives the staging an additional political dimension-the sharp criticism of the current political situation by director Serebrennikov, a well-known Putin critic, can be felt in every scene. The piece not only becomes a theater experience, but also a statement about fears and challenges that are relevant today.